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Catch Jazz Feldy speaking with Akiko Yano about her life in music. Singer, songwriter and producer, Yano is known for her eclectic style. Yano says "I realised I am different, and this is…
Goenpul woman and academic, Professor Aileen Moreton-Robison joins Areej to celebrate the 20th anniversary of her groundbreaking book Talkin’ Up to the White Woman. A timeless work that undertakes an analysis of…
Summer Drive Fonky Ride is a newly issued beat tape from Silentjay, the project of Alejandro Jay Abapo. Silentjay is a pivotal figure in Melbourne's soul, jazz and beats scenes. He's well known…
We're New Again is a reimagining, and complete musical reworking, of Gil Scott-Heron's final album I'm New Here, originally released in 2010.
Chicago-based Makaya McCraven enlists peers Jeff Parker, Junius Paul, Brandee…
30/70, the collective behind our Album of the Week, is a bit like a rambunctious share-house that also happens to produce incredible jazz/funk/neo-soul music; it’s ever-changing, hard to pin down, and filled with…
‘Fluid Motion’ is the third album from Melbourne’s 30/70. It's an extension and evolution of their sound, fusing various forms of jazz, funk, club, hip hop, dub and dance. 2019 has been a…
Ever fancied exploring the wonderful world of jazz, but not sure where to begin? Stolen Moments host John Bailey suggests some gateway artists and albums – and explains why you don’t need to…
'Face Stabber' is the twenty-second studio album by California's Oh Sees. It's an extensive collection that spans psychedelic riffs, rhythmic rock, free-form jazz and experimental sound design. During their two-decades together Oh Sees…
Gilles Peterson is no stranger to compilations – he’s put together and released over 100 of them – but this is one specific and special to Melbourne’s flourishing jazz scene.
'Sunny Side Up' is a compilation of boundary pushing music from Melbourne musicians, with influences ranging from jazz, soul, and R&B through to house and broken beat. It's out via Gilles Peterson's Brownswood…
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