Australia is in the middle of a horror film revival, with a new wave of locally made releases finding audiences and screening at film festivals across the globe.

One such film is GODLESS:…

Andy Freer, founder, CEO and Artistic Director of Snuff Puppets, joins Richard Watts to talk about the legacy of this Melbourne art collective after thirty years  and about its new production, ‘Swamp’.

First Nations artist Gail Mabo talks shouldering the legacy of her father, activist Eddie Mabo, and her new exhibition ‘Current’ at McClelland Gallery with fellow First Nations artists Lisa Wuap and Dominic White…

Tiffany Lyndall-Knight, Vice President of Actor’s Equity for the MEAA breaks down the US writers and actors strike, uncovering how streaming and AI technologies have threatened livelihoods in film and the potential impacts…

A play we’ve all seen a million times, but done a little bit differently.

Bell Shakespeare’s new production of Romeo and Juliet breaks tradition with unusual casting and minimalist stage design, bringing the…

Richard Watts interviews artist Abdul-Rahman Abdullah about his exhibition, Journeys. As an artist, he draws inspiration from Hadiths, the statements made by the prophet Muhammad, to inform his work.

Journeys features three…

Melbourne Theatre Company’s Artistic Director & Co-CEO Anne-Louise Sarks joins Richard Watts to chat about her directorial debut Bernhardt/Hamlet. This marks the first project she has been involved in as an Artistic Director.

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Odette England joins Richard Watts to discuss her first solo Australian photography exhibition Dairy Character. The exhibition explores growing up on a dairy farm, the unacknowledged and unpaid work women do in…

What do the russian author Dostoyevsky, political satire and crocodiles have in common?

The answer is The Crocodile, a new staging of Tom Basden's early 2000s play at Fortyfivedownstairs. A story of…

Located on the corner of Swanston Street and Flinders Lane, the Nicholas Building has been one of Melbourne’s foremost creative and artistic hubs for almost a century. With most of the artistic tenants…