Reverb bathed recorder and a rolling drum signal the waking of the day and a new week in London, the city where Laila Sakini lives and composes music. New album Paloma is out…

¡Ay! is a major departure in the cinematic work of Colombian musician Lucrecia Dalt. Taking solace during the pandemic in the Latin American tunes that surrounded her in the family home growing up…

The first of many appearances by Carmen-Sibha Keiso on Frantic Items. For this occasion, Carmen primes us for her collaboration with feedback master Bonnie Mercer at a big ACMI multimedia night in response…

“Where true-crime books, and podcasts, have the capacity to re-tell timelines, circumstances, and characters in detail – filmmakers need to find imaginative ways to render these stories for the screen. Wright utilises a…

Manila based writer and director Martika Ramirez Escobar is in town to screen her wonderful debut feature Leonor Will Never Die at MIFF. On a sunny saturday morning she came into the Triple…

Melbourne International Film Festival Artistic Director Al Cossar tells Breakfasters why he’s so excited about MIFF's 70th Year.

One of the longest-running film festivals in the world, this is the first full MIFF…

The great Gillian Armstrong (director, trailblazer, Australian New Wave alum) calls in to Primal Screen ahead of Wildflowers: Dancing, Desire and Freedom in the Films of Gillian Armstrong, a retrospective of her…

Flick Ford is joined by guest critic Cerise Howard. Cerise interviews BAD LUCK BANGING OR LOONY PORN (2021) director Radu Jude, and the team review TITANE (Julia Ducournau, 2021).

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Flick Ford and Cerise Howard are joined by Japanese Film Festival Programmer Simonne Goran for a chat about this year's event. Plus, reviews of two titles in Melbourne cinemas now: NO TIME TO…

On this week's episode of PRIMAL SCREEN, Paul Anthony Nelson, Sally Christie and Flick Ford get murky in Todd Haynes' latest effort DARK WATERS (2019). Join them in all their sticky sweetness in…