The façade of the often intimidating and wild presence that is the band’s frontwoman is shed to the wayside, and in its place is an emotional vulnerability – exposed like an open vein. These lyrics are just as personal and as revealing as we’ve heard on ‘Labrador’ and ‘FU’ before them (DeVita has made a real point of opening herself up emotionally in her writing). However, paired against nothing but acoustic notes, they land like anvils and shake you to your core. From there the chorus continues and the rest of the band kick their pedals back on and explode into action, but now it’s that original openness that dictates the mood of the rest of the song. The crunch and drive and bang are all still palpable, but now you’re hooked on an intangible, raw energy.
It doesn’t take a detective either to hear these lyrics and recognise the story of a crumbling relationship – “I forgot the person that I am” she continues later in the chorus, a refrain many of us have said in the heat of arguments towards the end. Yet here DeVita takes that self-confession and empowers it as a rallying cry to herself and to the audience, calling to rise like a phoenix and fly forward.