Dot Dash/Remote Control/Captured Tracks
Teeth & Tongue is the recording project of Jess Cornelius and her band, and "Give Up On Your Health" is the title of their fourth record. It's also possibly a wry warning to those who would commit themselves wholeheartedly to creative pursuits: they can quickly become all-consuming. The risks may be great but so are the rewards, a fact reflected perfectly in this adventurous and accomplished album of smart, sophisticated pop. In comparison to earlier Teeth & Tongue records there's a noticable shift toward dance music tempos and electronic production techniques, new facets of Jess Cornelius' songwriting and arranging skills.
Efficient Space/Noise In My Head
In a time of greater access to more music than ever before, Midnite Spares delivers a rare degree of surprise and discovery. Andras and Instant Peterson are Triple R broadcasters and renowned music minds with highly attuned detective skills and a heightened sense of curiosity. They've spent countless hours searching stores, discount bins, personal record collections and Triple R's own vinyl library to uncover the obscure and compelling musical moments on offer here. Midnite Spares is the second release on Efficient Space, fast becoming a premier go-to label for unearthed archival gems. Expect eveything from new wave, post-punk, dance, soundtrack cues, early electronic pop, funk and strange dub experiments.
Bad Seed Ltd
The release of NickCave and the Bad Seed’s new album Skeleton Tree is accompanied by a feature-length film, 'One More Time With Feeling'. Initially intended to capture a series of live performances , it became a document of the time in which the album took shape, one filled with unspeakable grief and a struggle to cope with great personal loss. The songs on Skeleton Tree are visceral missives of all that can’t be said or understood, communicating both profound suffering and love. The arrangements are sombre and deeply moving: NickCave’s lyrics are direct and oblique, literary and literal, haunting and heartrending and beautiful.
'Band of the Future' is the fourth record from Geelong's new wave and post punk apostles Ausmuteants. It's a subtly humourous title for a group less than interested in trend forecasting or placing their music on any broader timeline. There may be a few sonic references to past pioneering synth punks like Devo in the recordings, but Ausmuteants are resolutely writing their own history. 'Band Of The Future' is a thrilling new chapter filled with sharp keyboard melodies, energetic electric guitar lines and subtly subversive lyricism.
'My Woman' is Angel Olsen's third album, a masterclass in songcraft that captivates from the first to last moment. A cinematic tone is introduced from the start, 'Intern' begins with an arresting synth and mellotron melody that floats alongside Angel Olsen’s vocals. It's a powerful, stark introduction to a record that covers a range of musical terrain: country blues and folk through to anthemic jukebox rock and garage pop. Over the course of the richly detailed record Angel Olsen explores themes of identity, memory, connections made and lost or missed.
Thank-you so much for all your support!
Thank-you so much for all your support!
'A Place Called Bad' is a four-disc box set encompassing the iconic Perth band's complete studio work, live recordings, and an unreleased set recorded in Adelaide's UniBar, alongside images and artefacts. It's an impressive portrait of a group whose influence reached across continents and decades. For existing fans 'A Place Called Bad' is a timely, well-presented reminder of their impact and output. For new listeners it's a compelling introduction to The Scientists' pioneering punk, swamp rock and crisp post punk sounds.
Kathleen Hanna is a pioneering artist, central to the development and evolution of the riot grrrl movement: her early bands Bikini Kill and Le Tigre were powerful agents for change, combining feminism, politics and punk styles.
'Hit Reset' is the second album in the recent revival of Kathleen's recording project The Julie Ruin. It finds a perfect balance between the danceable synth sounds of Le Tigre and the incendiary riffs and raw punk of Bikini Kill. Traces of'60s garage and '90s rock are also found in the mix, with a moving ballad to close the record. Kathleen Hanna's lyrics are as poignant and pointed as ever, covering a wide range of territory including personal experiences and family relationships.
The Lost & Lonesome Recording Co.
There's a question in the title, an invitation to discover. And there are many revelations to be found within. The new record from Tim Richmond and his talented ensemble is a tapestry of musical traditions; a synthesis of swirling psychedelic songcraft, experimental folk melodies and hip-hop-infused funk grooves. Electronic elements underlie the acoustic. The strange meets the familiar. By the end of the album we may have some answers to the question of What's in the Middle, but each listen reveals more secrets, rewards, and surprises.
'IV' is the concise name given to BADBADNOTGOOD’s expansive fourth album, an exciting new chapter in the Toronto collective’s storied career. Starting as a trio in 2010, the group quickly attracted attenton for their playful hybrid sound, a fusion of hip hop and jazz traditions. Since then they've recorded an album of smoky cinematic soul with Ghostface Killah of the Wu Tang Clan and jammed with Tyler The Creator and Earl Sweatshirt of subversive hip hop collective Odd Future. Just for fun they occasionally perform impossible feats of musical dexterity, covering complex electronic tracks like James Blake’s 'CMYK'. 'IV' draws these many interests and experimental tendencies into focus. There’s futurist R&B grooves, classic lounge and fusion jazz, breakbeats and deep blues balladry. The instrumental passages alternate with vocal contributions from friends and collaborators Sam Herring of Future Islands, Charlotte Day Wilson, Kaytranada and Mick Jenkins.
“One Of Us” is the third record from Melbourne’s Cash Savage and The Last Drinks - it’s a particularly apt title for an album which grapples so thoughtfully and skilfully with questions, cares, ideas and experiences known to all humanity. Cash Savage is recognised for her supreme storytelling skill, and across this new collection of songs recounts certain peaks and lows of the past year, always with compassion and humour, wisdom and insight. The potent lyrics are matched by equally impassioned musical performances: a clear, indomitable spirit is imbued in each country, folk, blues and rock arrangement.
Upset The Rhythm
Terry HQ is the debut LP from Terry, a Melbourne-based four-piece whose members also appear in leading local groups like Total Control, Constant Mongrel, Dick Diver, Mick Harvey Band and Eastlnk. The album is a powerful, playful, poignant and pointed collection of minimalist punk, post-punk, lo-fi folk and no wave. Musically and lyrically the record is charged with a radical energy and political undercurrent making it a highly suitable soundtrack for the current climate of uncertain and unsettled times.
One of the most antipated sequels of any act in recent history, Melbourne’s The Avalanches return after 16 years with their second LP.
"Wildflower" follows "Since I Left You", the celebrated debut that famously used more than 3500 samples to create a tapestry in the tradition of albums like Paul’s Boutique. While there are stylistic, sonic and thematic connections that link the two records, Wildflower creates an entirely new world for listeners to explore. Layered sounds, melodies and fragmented memories combine with the contributions of various collaborators to produce a psychedelic pop and hip hop opus. The Avalanches themselves have the record as a "road trip" in an expansive country, "capturing that feeling of growing up...jumping in the car...and heading out to the bush."
ANTI FADE/Flightless Records/Remote Control
Birth is the debut album from Geelong band ORB. All three members previously played in beloved garage outfit The Frowning Clouds, but here they reveal a different side of their musical talents. A shared love of Black Sabbath and Megadeth shines through the doom and proto metal sounds, filtered with a fine sense of sci-fi psychedelia, prog rock, and pop. Lots of fuzz, plenty of grooves, humour, riffs and the beginning of something new.
There is something especially transporting about Emma Russack's music. The lyrics are filled with recollections, reflections, and poetic detail. And the subtle folk-inflected arrangements - sometimes sparse and elsewhere rich in texture - all evoke a state of mind or state of being. Place, feeling, memory, the interior and exterior life are captured and conveyed; sometimes moments, sometimes days, years or even longer chapters are condensed and felt within the span of a song.
In The Red
"La Araña Es La Vida" is the fourth album from US garage rock quartet, fronted by LA punk veteran Kid Congo. With decades of experience across numerous musical mainstays such as The Gun Club, The Cramps and the Bad Seeds, Kid Congo continues to surprise longterm fans and new listeners with this energised collection of work. His potent blend is made from a fusion of blues, garage, early punk, surf and South American rock, and finishes with a tentative triptych of slide guitar sketches that recall the eternal classic "Sleepwalk."
Kane Ikin is a master of immersive music: vast fields of sound and rhythmic waves that crash, compress, surround and stretch to infinity. The Melbourne-based composer and producer's latest record is remarkable for its synthesis of numerous styles and its ability to explore dark depths with a clarity and lightness of touch. Tense trip hop textures, tenebrous techno tones and dystopian dub dynamics all work to create an atmospheric aural experience; cinema for the mind like a modern-day Blade Runner or Akira soundtrack.
The latest compilation from international charity Red Hot Organisation is a 59 track tribute to the Grateful Dead, a celebrated counter-cultural rock band/institution beloved of "Deadheads" everywhere. Curated by Aaron and Bryce Dessner of The National, the 5CD set features playful, faithful, and irreverent interpretations of original Grateful Dead tracks by artists such as Courtney Barnett, Sharon Van Etten, Perfume Genius, War On Drugs, Bill Callahan, and Jenny Lewis.
Under The Sun is the latest record from an artist known for pioneering work across a range of musical styles. Mark Pritchard continues his explorations of new territory on this album, presenting a range of cinematic, atmospheric, and immersive tracks. The instrumental moments explore modern classical and shadowy electronic ambience, and vocal tracks explore traditional folk and modern psychedelic music, featuring contributions from artists Linda Perhacs, Thom Yorke, and Bibio.
Camp Cope formed in 2015, three friends and musicians inspired to perform the solo work of singer Georgia Maq. There's a rawness, strength, and vulnerability to the recordings that's striking; it's an approach that underscores well Georgia's poignant and poetic lyrics. Experiences of shiftwork in a hospital, the minutiae of sharehouse living in Footscray, and more broadly questions around gender and identity are all covered on this remarkable debut record.
Rough Trade / Remote Control
"Hopelessness" is the debut solo album from ANOHNI - formerly known as Antony Hegarty, leader of the chamber pop ensemble Antony and the Johnsons. Renowned for her singularly striking and expressive songs, ANOHNI here Works with Hudson Mohawke and Oneohtrix Point Never to create an album that blend anthemic electronic production with incisive political and social commentary. It's impassioned, uncompromising, sorrowful and ecstatic, filled with reflections on subjects ranging from climate change, conflict, and control. ANOHNI calls for radical change, and a radical reevalutaion of our relationship with the environment and others.
XL Recordings/Remote Control
Kaytranada is the recording name of Montreal based producer Louis Kevin Celestin. For many years the artist has represented a unique blend of electronic music, one founded in hip hop, indebted to funk and disco, and filtered through the heaviest underground dance styles of the '90s and new millenium. Kaytranada's signature remixes and singles often carry jazz-infused melodies, rugged breaks and buzzing basslines. 99.9% is the debut full-length record. It combines his strengths, and offers new styles to appreciate. Impressive contribitions from the Internet's Syd, Anderson .Paak, AlunaGeorge, Little Dragon, BADBADNOTGOOD, Vic Mensa, GoldLink, and more feature throughout the record.
Bedroom Suck Records
In Search Of Free Time is the second album for the Melbourne quartet fronted by Panel of Judges' Dion Nania. Joined by members of Twerps, Totally Mild and Terrible Truths, the record is a sweeping, searching, soaring record of adventurous pop music. Out on Bedroom Suck Records.
Independent/ The PR Files
The debut solo album from Melbourne-based Gabriella Cohen is a masterfully written and produced display of modern songcraft. Each song playfully explores and redraws the boundaries of punk-infused pop, garage rock, surf, psych, and post-punk balladry. Inventive and revelatory arrangements are matched by the poeticism and incisiveness of Gabriella's lyrics. For new listeners "Full Closure and No Details" is an impressive introduction - or, for existing fans, a further demonstration - of the artist's unique skills and talents, as well as those of the band.
"The Hope Six Demolition Project" is PJ Harvey's ninth album, recorded last year at Somerset House in London as an art installation open to observation by members of the public. While writing the songs (as well as her poetry book The Hollow of the Hand), the English artist Harvey traveled to Kosovo, Afghanistan, and Washington D.C. with photographer/filmmaker Seamus Murphy. The lyrics capture PJ Harvey's exploration of these regions and investigations into themes of conflict, dislocation and inequality. The same disquiet and urgency reflects in the music. Mournful blues and discordant jazz tones permeate the rock soundscapes, all united by PJ Harvey's powerful vocals.
Charles Bradley, also known as "The Screaming Eagle of Soul", adds to his impressive catalogue of work on Daptone with latest album "Changes", named for an extraordinary re-interpretation of the Black Sabbath original. It's another assured collection of modern soul music, a reflection of the unique dynamic that exists between the superlative musicians of the Daptone camp, and the unique, compelling voice of Mr Bradley. Behind each song is a rare strength of emotion and wealth of experience that's deeply affecting.